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五、对草书创作过程及特质之解。头巾气和艺术性的冲突。 钱钟书先生在编《列子·汤问》和卫恒《四体书势》及庚元威《论书》时,对书法艺术有比较详细的阐述。 钱先生谓:“书家作字亦如画家之须观取物象也。”他引陆羽的《僧怀素传》中所载张旭自言:‘孤蓬自振,惊沙坐飞’,余师而为书,故得奇怪”,张旭观公孙大娘舞剑器而悟书道为世人熟悉。苏武《跋文与可论草书》记文同自言:“见道上斗蛇,遂得其妙。”及至后世,有人将此种“悟”法神化,如赵子昂学“乙”字,先作群鹅;学“子”字、“不”字,先作群雁;学“为”字、“如”字,先作戏鼠。对这些传说,钱先生评曰:“或确有会心,或故神其说,要之未许参死语者刻舟求剑,守株待兔。苏东坡明达透剔,有曰:“张长史见担夫与公主争路而得草书之法,欲学长史书,日就担夫求之,岂可得哉?”苏武自在与老朋友文与可的调侃中将此理阐发至极:“与可之所见,岂真蛇耶?抑草书之精耶。”
Five, cursive writing process and characteristics of the solution. Hood gas and artistic conflict. Qian Zhongshu made a rather elaborate account of the calligraphic art when he compiled The Lie Zi and Wen Wei’s “The Four-Class Signature” and the Geng Yuanwei “Theorist.” Mr. Qian said: “The writer also works like an artist.” He cited Lu Xu in “Monk Huai Su Biography” of Lu Yu as saying: I division is the book, it is strange, “Zhang Xu Guan Gong aunt dance fencing and Wudao Road for the world .Su Wu” Postscript and can be on the cursive “memoir:” Seeing fighting snake, then got its wonderful. “To later generations, some people will such” enlightenment “deification of law, such as Zhao Zi A” B “, first as a goose; learn” child “word,” no “, first as a group of geese; For example, Mr. Qian commented on these legends: ”There is indeed a sense of knowing, or why God says, that those who are not allowed to speak should sculpt for the sword and stay on guard.“ Su Dongpeng Mingtao tick, there is said: ”Zhang Chang Shi see the conflict between prince and princess cursive law, for the history of the history books, Japan on the husband seeking it, how can be Zai?“ Su Wu freely with the old friends of the text and can Ridicule will be the most important elucidation of this theory: ”What can be seen, how can we really?