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闻一多，现代著名诗人，他的新诗曾一度影响了20年代的诗风，他提倡新诗要有音乐美，绘画美、建筑美。在论文《诗的格律》中表示，诗人应“戴着脚镣跳舞”。今年是澳门回归5周年，当12月31日的钟声响起时，全中国又将听到闻一多创作的《七子之歌》：“你可知‘妈港’不是我的真名姓？我离开你的襁褓太久了，母亲!但是他们掳去的是我的肉体，你依然保管着我的内心的灵魂……”闻一多去世已近60年，他的次子闻立雕为我们讲述了许多不为人知的亲情故事。
Wen Yiduo, a modern well-known poet, once influenced his poem style of the 1920s. He advocated that the new poetry should have the beauty of music, the beauty of painting and the beauty of architecture. In his essay, “The Rules of Poetry,” he said that poets should “dance with their toes.” This year marks the fifth anniversary of the return of Macao. When the bells of December 31 ring, the whole country will again hear the “Seven Songs” created by Wen Yiduo: “You know, ’Ma-Hong Kong’ is not my real name? I left Your malaria is too long, mother! But their captivity is my body, and you still keep my inner soul ... ”Wen Yiduo nearly 60 years after his death, his second son Wen Li Diao tells us about Many unknown family stories.