在明清徽州,宗族不仅是演剧活动的组织者,同时也是活动规则的看守者。由此,宗族必然影响到演剧活动的传承机制与审美尺度。而演剧也反过来增进、强化了宗族内部成员之间的联系,担当起族群身份认同的功能。绩溪伏岭徽班的演剧活动以及祁门目连戏的演出是其中颇有代表性的例证。 In the Ming and Qing Dynasties, the clan was not only the organizer of drama activities, but also the watchman of the rules of the activities. As a result, the clan inevitably affects the inheritance mechanism and aesthetic standards of drama activities. In turn, acting plays an important role in enhancing the links between the clan’s internal members and taking the role of ethnic identity. Jixi Fuling emblem class activities and the performance of Qimen MUR drama is one of the most representative examples.