当代艺术已经走向对物性的拓展,现成品之所以取代绘画,就是因为扩展了物性。从绘画描绘之物到绘画的材质中介,从绘画的材质到雕塑的材料,从材质本身到任一物,从任一物到技术影像,绘画丧失了自身的独特性,如果还有着绘画,则必须重新建立与物性的另一种联系,有着对物性的重新理解,但又回到绘画性。姜吉安的现成品绘画,从看似古老的工笔画入手,让我们看到了绘画与物性的新的诗意、新的自然性,并且让物性重新进入新的文人生活场域。 Contemporary art has moved towards the expansion of physical properties. The reason why ready-mades replace paintings is the expansion of physical properties. From the material of the painting to the material agency of the painting, from the material of the painting to the material of the sculpture, from the material itself to any object, from any object to the technical image, the painting loses its uniqueness, and if there is painting, It is necessary to re-establish another relationship with physical properties, with a new understanding of physical properties, but return to the painting. Jiang Jian’s ready-made paintings, starting from the seemingly ancient paintings, allow us to see the new poetic and new nature of painting and materiality and to re-enter nature into new literati life areas.