中国钢琴音乐作品的演奏的民族性问题一直是学界讨论的重要议题。其中牵涉到两个问题,一是音乐审美问题,二是乐器演奏技法问题。前者上牵涉到民族文化问题,下涉及到听众审美观念问题。后者则牵涉到乐器本身的局限性问题以及演奏技巧问题。作为问题核心,中国钢琴作品演奏的民族性需要在技术层面和审美层面进行深入讨论,只有二者有机结合才能解决演奏的民族性问题。 The nationality of the performance of Chinese piano music works has always been an important topic discussed by academic circles. Which involves two issues, one is the aesthetic issue of music, the second is the issue of musical instruments techniques. The former involves the issue of national culture, the audience involves the issue of aesthetic concepts. The latter involves the limitations of the instrument itself as well as the playing skills. As the core of the issue, the ethnicity of Chinese piano performance needs to be discussed in depth at the technical and aesthetic levels. Only when the two are organically integrated can the nationality issue be solved.