短篇小说大师林斤澜的《矮凳桥风情》在小说的叙事方式、结构及语言上进行了积极大胆的探索,成就突出。在叙事方式上,与常规的叙述反其道而行之,常省略、隐去一部分形象和生活内容,不再顾及情节的连贯和故事的完整。他打破结构的常规,常在人们意想不到的地方下笔,由此形成小说独特的审美形态。 Short story master Lin Jinlan’s “Short Stool and Bridge Style” made an active and bold exploration in the narrative style, structure and language of the novel with outstanding achievements. In the way of narration, contrary to the conventional narration, it is often omitted and hidden part of the image and content of life, no longer take into account the coherence of the plot and the integrity of the story. He broke the regularity of structure and often wrote it down in unexpected places, thus forming a unique aesthetic form of the novel.