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至今,《西游记》被拍成了无数版本,包括86版《西游记》、动画电影《大闹天宫》、周星驰版《大话西游》、《西游记后传》,当然还包括2015年的票房稳升不减的国产动画电影《西游记之大圣归来》和《西游记之孙悟空三打白骨精》。作为中国传统文化代表的《西游记》一再的被拿来重新设计拍成电影,这不只是数量的增加,还反映出中国传统文化源远流长,其潜在的审美价值被全世界所认可并值得再创造、重构。但重构并不是对传统文化的简单重复、叠加,而是依靠设计者的审美和创造力,借助技术手段对中国传统文化元素的再创新。再创经典中国不缺好的题材,经典的元素,但中国人缺少再创新的设计思想。对于祖先传承下来的宝贵财富,如何将其创造出惊人的价值,这是最重要的。将传统的元素重构并赋予现代的意义,这是值得研究和探讨的。
So far, Journey to the West has been made into numerous versions, including the 86 version of “Journey to the West”, animated film “Havoc in Heaven”, Stephen Chow version of “Westward Journey”, “Journey to the West”, of course, including the 2015 box office Steady growth diminished domestic animation movie “Return of the Journey to the West” and “Journey to the Sun Wukong Sanda bones essence.” The Journey to the West, as a representative of Chinese traditional culture, has been repeatedly redesigned into a movie. This is not only an increase in numbers, but also reflects the long tradition of Chinese traditional culture. Its potential aesthetic value is recognized by the whole world and worth recreating Reconstruction. However, reconstruction does not simply repeat and superimpose traditional culture, but relies on designers’ aesthetic and creativity to reinvent the traditional elements of Chinese culture through technological means. Re-create the classic theme of China is not bad, the classic elements, but the Chinese lack of new design ideas. It is of the utmost importance for the precious wealth inherited by the ancestors how to create astonishing value for them. The reconstruction of the traditional elements and give the meaning of the modern, it is worth to study and explore.