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1996年,方力钧开始了一系列非常巨大的木刻版画作品,这可视为他创作发展历程上又一个高峰。方力钧毕业于中央美院版画系。木刻版画在过去传统中,受限于手工合适的小尺幅,主要定位在作为书籍插图等功能性、说明性与装饰性,也就是倾向于工艺性的价值,跟所谓的文人书画有根本上的阶级差异。方力钧的聪明与野心,使他轻易地打破了这个
In 1996, Fang Lijun started a series of very large woodcut prints, which can be seen as another peak in his creative development. Fang Lijun graduated from the Department of Fine Arts of the Central Academy of Fine Arts. In the past tradition, woodblock prints were limited by the small size suitable for handwork, and were mainly positioned as functional, descriptive and decorative illustrations as illustrations of books, that is, they tended to be of value for craftsmanship. They were fundamentally related to so-called literati painting and calligraphy Class differences. Fang Lijun’s cleverness and ambition made him easily break this