前些时候友人说《中国戏剧》要组织关于戏剧命运的讨论,没有引起我的兴趣。我认为题目越大,越容易成为空谈,组织这种讨论大概是为了在理论的沉寂中制造一点热闹而已,还不如研究点具体问题,即使考证一下“回”字到底有几种写法,也总算是 Some time ago my friends said that “Chinese drama” organized a discussion about the fate of the drama and did not attract my interest. I think the bigger the topic, the easier it will be to talk. The reason for organizing such a discussion is probably to create a little more excitement in the silence of theory. It is not as good as studying specific issues. Even if we look at several ways of writing “回” Yes