论文部分内容阅读
几年前,我曾为孙颙发表于90年第六期《小说界》上的《雪庐》而激动,并为他没能把这么好的题材写成长篇而遗憾。如今,整整5年过去了,他终于在95年第6期的《小说界》上抛出了一个长篇:《烟尘》。 也许是孙颙对法式洋楼情有独钟,和《雪庐》一样,《烟尘》也是写发生在一个叫“小村”的四幢洋楼中的故事。时间跨度甚至比《雪庐》还长,从清末直到1993年。但孙颙不是历史学家或考古学家,他的兴趣显然不在钩沉历史考据源流,因此汪可可的祖先前清的封疆大吏也好,方无忌的爷爷、叔公,三十年代上海滩上的暴发户也好,四十年代的反蒋爱国者也好,都不是他的聚焦对象,他的焦点,始终对准当代都市人的生
A few years ago, I was thrilled by Sun Yat-sen’s “Snow House” published in the sixth issue of the 1990’s and he regretted that he could not write such a good subject for a long time. Now, a full five years later, he finally throws a long chapter in “Novels” in Issue 6 of 1995: “Smoke and Dust”. Perhaps Sun Yong had a soft spot for the French mansion, which, like the “Snow House,” is also a story written in the four mansions called “Little Village”. Time span is even longer than “Snow House”, from the late Qing Dynasty until 1993. However, Sun Yat-sen is not a historian or an archaeologist. His interest obviously is not based on historical sources. Therefore, Wang Ke-chen’s ancestors used to be the former dynasties of the Qing dynasty, the Grandfather Fang Fangji, the uncle, the 1930s on the beach The upstart Ye Hao, forties against the Chiang Kai-shek Ye Hao, are not his focus, his focus has always been on contemporary urban life