在可以查阅的文献资料中,绘制于辽代天赞二年的墓室壁画《厅堂图》可谓是中国传统静态写物绘画最早的经典之作,随着时间的推移,在宋、元、明、清一直到新中国成立之前的各个历史时期,均有一定数量、独立地表现室内静态物品的绘画作品,这些作品在传承、延续、发展中国传统静态写物绘画的过程中,构造出适应于不同阶层审美情趣的精神世界和独特的发展历史。新中国成立之后的几十年间,中国传统静态写物绘画的表现内容和形式语言发生了前所未有 Among the available literatures, the tomb mural “hall map” drawn in the days of Tianzan of Liao Dynasty can be described as the earliest classic of Chinese traditional static writing and painting. With the passage of time, in the Song, Yuan, Ming, Qing Dynasty until the founding of New China in each historical period, there are a certain number of independent indoor static paintings of works of art, these works in the heritage, continuation and development of traditional Chinese static writing and painting in the process of building to adapt to different The spiritual world of aesthetic taste and the unique history of development. In the decades after the founding of New China, the content and formal language of the traditional Chinese static writing paintings took place as never before