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陀思妥耶夫斯基是一位肯定生命存在意义的作家,面对俄国19世纪新旧交替的社会转型期所呈现出的混乱、黑暗、病态的状况,他的作品不可避免地触及死亡并沉思这一永恒的话题。陀氏在作品中大量描绘死亡,一方面展现了传统文学中所表现的个体生命的终结,反映了他对人类生存的最深远的关切;另一方面从更高的层次上体现了陀氏对死亡的的深刻认识,即一种更高意义上的超越肉体消亡的死亡观。表现为俄罗斯传统文明和文化的衰颓、信仰和精神的危机、人格的分裂、自我的丧失等,他笔下的主人公们面对死亡,不时发出生命空无、世界无意义的沉重叹息,这使陀氏的死亡观在一定程度上具有了现代主义的深刻含义。
Dostoyevsky, a writer affirming the existence of life, is confronted with confusion, darkness and morbid situation during the social transformation of old and new in Russia in the 19th century. His work inevitably touches on death and contemplation This eternal topic. On the one hand, it shows the end of individual life represented in traditional literature, reflecting his most far-reaching concern for human survival; on the other hand, A profound understanding of death, a higher sense of death that transcends physical demise. The performance of the Russian traditional civilization and culture decay, the crisis of faith and spirit, personality division, the loss of oneself, the protagonists in his writing face the death, from time to time sent life empty, the world meaningless heavy sigh, which makes Tuo To a certain extent, his concept of death possesses the profound meaning of modernism.