论文部分内容阅读
宗炳(375—443)的《画山水序》是有文字记载以来中国第一篇山水画理论专著,它的出现对中国传统美学产生了重要影响。历代对于宗炳及其《画山水序》主要受何种思想影响众说纷纭,但通过对宗炳所著《明佛论》和其他文本加以分析可以知道,其主要还是以老庄思想为依据,在此基础上,宗炳将道家学说贯穿于《画山水序》之中,提出了诸多丰富的美学命题。笔者在此试图将“澄怀观道”与“畅神”观点加以分析并探讨两者之间的内在联系。
Zong Bing (375-443)’s “Painting the Landscape” is the first monograph on landscape painting in China written and written. Its appearance has had an important influence on Chinese traditional aesthetics. Different historical periods have different opinions on what Zong Bing and his “landscape painting order” are mainly influenced by. However, by analyzing Zong Bing’s “Ming Buddhism” and other texts, we can know that the main thing is based on the thought of Lao Zhuang On this basis, Zong Bing through the Taoist doctrine throughout the “painting landscape”, put forward a lot of rich aesthetic proposition. The author tries to analyze and discuss the internal connection between the two ideas of “Cheng Huai Guan Tao” and “Chang Shen”.