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近年来,一种“对肉体直白描写”“充满了性、毒品、卖淫和自杀”的文学,被称为“身体写作”、“中国的坏女孩写作”的作品,大行其道,乃至形成“对中国传统道德的巨大挑战”。比如木子美讲述自己隐私生活,手法之直接,语言之暴露是“前无古人”的。在20世纪八九十年代,陈染的《私人生活》、《与往事干杯》,林白的《一个人的战争》、《说吧房间》等作品就已涉及到女性的生理以及性成长史,她们的创作被称为“女性体验小说”。其后,出现了以卫慧的《蝴蝶的尖叫》和棉棉的《糖》、《盐酸情人》等为代表的“身体写作”小说,大多表现都市年轻女性的个人私密生活。2000
In recent years, a kind of “full description of the physical body”, “full of sex, drugs, prostitution and suicide” literature, known as “body writing”, “bad girl writing in China” works, popular, and even the formation of “right China’s great challenge of traditional morality. ” Such as Muzi Mei about their privacy, direct manipulation, language exposure is “unprecedented”. In the 1980s and 1990s, Chen’s works such as “private life”, “toast with the past”, “one man’s war” by Lin Bai and “talking about the room” have involved the history of female physiology and sexual growth , Their creation is called “female experience novel.” Later, the body writing novel represented by Wei Hui’s “Butterfly Scream” and the cotton candy “Sugar”, “Hydrochloric Acid Lover” appeared mostly in the private lives of urban young women. 2000