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诺贝尔文学奖获得者法国作家阿纳托尔·法朗士从不以批评家自居,却以三百多篇散评彰显了他在文学批评领域的存在。法郎士的文学批评虽不脱印象式批评的形态特征,却内含了一套相对完善的诗性文学批评的言说方式和体系,即张扬文学批评的直觉思维形态,澄澈真善美的人道主义价值观,构建以乐趣为核心的审美标准,确立融智性于诗性的言说方式。法郎士的诗性文学批评见解,相较于当下日趋技术化、理论化、远离鲜活艺术对象的学院派文学批评,富有着十分深刻的反思和启迪意义。
Noble literary award winner French writer Anatole Franco never criticized himself, but with more than 300 articles he demonstrated in the field of literary criticism. Although the literary criticism of Francis does not detach from the morphological characteristics of the implicit criticism, it contains a set of relatively perfect ways and systems for the narration of poetic literary criticism, namely, expressing the intuition thinking form of literary criticism, clarifying the humanitarian values of true, Construct the aesthetic standards with fun as the core, and establish the way of speech and poetic of intelligence and poeticness. His comments on poetic literary criticism are rich in profound introspection and enlightenment compared with the literary criticism of the academy who is increasingly technical, theorized and far away from the object of vivid art.