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在多民族,多文化相容的今天,设计不仅要提供良好的功能,体现与时俱进的高科技,而且还充当着表现民族传统、人文特点、个性特色的多重角色。设计面临着多元化的挑战。优秀的设计国家没有放弃对本国设计可识别性的追求,形成独一无二的一体性,而中国古代就已经发展了多元一体的设计文化。文章试着用哲学上的辩证统一原理去分析设计多元化与设计的一体性之间的关系,并对回归中国现代设计民族个性做出一些思考。
In a multi-ethnic and multicultural society, design should not only provide good functions and embody the advanced technology with the times, but also serve as multiple roles that show the national tradition, cultural characteristics and personality characteristics. Design faces a wide range of challenges. Excellent design countries did not give up their pursuit of design identifiability in their own countries to form a one-of-a-kind integration. In ancient China, however, a diversified design culture had been developed. The article attempts to analyze the relationship between design diversification and design integration by using the philosophical dialectical unity principle and makes some thinking about the return to China’s modern design national personality.