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二十世纪中国油画界有一个流行至今的提法:“油画的民族化”。同时有个相应的口号:“越是民族的越是世界的”。这个有语病的立论,乍一看很辩证很深刻,但由于它逆文明趋势而动
The twentieth century Chinese oil painting industry has a popular reference so far: “nationalization ”. At the same time there is a corresponding slogan: “The more the more the nation is the world ”. This rhetoric argument is very dialectical at first glance, but because of its anti-civilizational trend