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读《中国记者》1991年第9期上焦仁贵同志《可怜天下作者心》一文,很想就其提出的“视角偏差”现象,站在读者的立场上,说另外一些话。首先想弄清楚焦文的“视角偏差”到底是怎么一个偏法。意思再明白不过了,文章指的是读者没有全信作者的话,表达者和获取者“效果”不一致。实际
Reading “Chinese Journalists”, No. 9, 1991, on Comrade Jiao Rengui’s poem “The Heart of the Poor Writers in the World,” would like to say something else about his “deviation of perspectives” from the standpoint of the readers. First of all, we want to find out how Jiao Wen’s “deviation of perspective” is a partial one. The meaning is no longer clear, the article refers to the reader is not full of words, the expression and the acquirer “effect” is inconsistent. actual