本文以21世纪以来国内公开发表的艺术高校研究群体的流行音乐演唱学术论文为研究对象,通过对其文本的分析,总结其理论环境、理论队伍与方式方法在当前存在的主要问题,并根据自身的理论认识和教学经验提出相应的建议。 Based on the analysis of its texts, this paper summarizes the main problems currently existing in the theoretical environment, theoretical teams and methodologies of the pop music scholarly dissertations published in the art colleges and universities in the country since the 21st century. The theoretical understanding and teaching experience put forward corresponding suggestions.