春秋战国时期,是我国古代历史上的一个文化大发展的繁荣时期,随着生产力的进一步发展,文化展现出了百家争鸣,百花齐放的态势,诸子百家不仅在文学、兵法、天文、地理等诸多领域皆有所开创,而且在音乐,舞蹈等艺术上的造诣更是颇丰。本文旨在通过对春秋战国时期孔子与老子、庄子关于音乐美学思想的对比分析,来探讨儒家与道家关于音乐美学思想之间的异同。 During the Spring and Autumn Period and the Warring States Period, it was a prosperous period of great cultural development in ancient history of our country. Along with the further development of productive forces, the culture has shown the situation of a hundred schools of thought contending with flourishing flowers. Not only do literary, military law, astronomy, geography, All have their own groundbreaking achievements, but also in music, dance and other artistic attainments is quite good. The purpose of this paper is to explore the similarities and differences between Confucianism and Taoism about musical aesthetics through the comparative analysis of Confucianism, Laozi and Zhuangzi’s musical aesthetics in the Spring and Autumn Period and the Warring States Period.