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本文通过对弗吉尼亚·沃尔夫小说《奥兰多》“双性同体”现象以及苏珊·桑塔格小说《恩主》的“坎普”风格的源起、发展的回顾,通过文本分析的方法,揭示小说人物在性别方面所体现出的互文现象,揭示作为后现代文学批评关键词的“互文性”对于创作主体建构的理论价值。
Based on the review of the origin and development of Virginia Wolff’s “Orlando” “Androgyny” phenomenon and the “Campo” style of Susan Sontag’s “Good Lord”, through the text Analysis methods to reveal the phenomenon of intertextuality reflected by the characters in the novel to reveal the theoretical value of “Intertextuality ” for the construction of the subject of creation as the key word of postmodern literary criticism.