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日本唯美主义作家谷崎润一郎的代表作《春琴抄》是一篇实践唯美主义美学观的经典小说。作者在对春琴这一人物形象的塑造上,表现了“恶之智”和“形之美”的奇异结合。而春琴的“恶之智”和“形之美”结合的焦点则是在于作者对佐助这个人物形象的塑造与衬托。通过对春琴和佐助这两个人物形象的刻画,揭示出作品中所蕴含的所谓“美”与作者的“女性跪拜主义”审美情趣,同时也是对日本文化端倪的一次形象而直观的展露。
Japanese aestheticist writer Tanizaki Junichiro’s masterpiece “Chunqin copy” is a classic aesthetic practice aesthetic concept of the novel. The author shows the singular combination of “the evil wisdom” and “the beauty of the shape” in shaping the character of Chun Qin. The focus of Chun Qin’s combination of “evil wisdom” and “beauty of form” lies in the author’s shaping and setting off of the image of Sasuke. Through the portrayal of Chunqin and Sasuke, it reveals the so-called “beauty ” and the author ’s “aesthetic worship of women ’ s worship”, which is also an intuitive image of Japanese culture Show.