出版社:上海古籍出版社此书从“当代艺术并不当代”这一话题入手,分析了“先锋派”的本质与形成、装置概念如何排挤传统绘画和雕塑,文化冷战的幕后的推动者——美国中央情报局,世界各地艺术博物馆的政治背景,激浪派是如何砸烂欧洲艺术的,艺术之都巴黎的沦陷,纽 Press: Shanghai Ancient Books Publishing House This book begins with the topic “contemporary art is not contemporary” and analyzes the nature and formation of “avant-garde ”. How the concept of device crowds out traditional painting and sculpture and the cold war behind culture The CIA, the political backgrounds of the art museums around the world, how the radicalism smashed the art of Europe, the fall of Paris, the capital of art, New Zealand