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中国东北阿尔泰语系诸族具有意识形态相同的萨满信仰,由此而来的萨满祭祀仪式便成为诸多人文学科近年来瞩目的学术热点。从学术界的研究现状来看,音乐学虽然介入较晚,但其不可替代的学术视角和独特作用日益凸现出来。阿尔泰语系满一通古斯语族的满族、锡伯族、赫哲族、鄂伦春族、鄂温克族以及阿尔泰语系蒙古语族的蒙古族、达斡尔族是本课题研究的对象。研究结果表明:具有鲜明功利目的的萨满祭祀仪式音乐,是一种运用象征意义而发挥作用的实用性文化形态。鼓(乐器),是中国东北阿尔泰语系诸族萨满的象征;鼓语(音响),是萨满与神灵沟通的语言工具。在萨满那里,远古而来相信鼓语通神的观念至今仍根深蒂固。
The Alhambra ethnic groups in Northeast China have the same ideological shamanic beliefs. The enshrined Shaman rituals have become the academic hot spots that many humanities disciplines have been attracting attention in recent years. From the academic research status quo point of view, although musicology involved late, but its irreplaceable academic perspective and unique role has become increasingly prominent. The Altaic languages are Manchu, Xibe, Hezhe, Oroqen, Ewenki, and Mongolian and Daur peoples of the Altaic-Mongolian language family, all of whom are Tungusic languages. The research results show that Shaman sacrificial ritual music, with distinct utilitarian purposes, is a practical cultural form that uses symbolic meaning to exert its influence. Drum (musical instrument), is a symbol of the ethnic Albanian ethnic shaman in Northeast China; drum language (sound), is the linguistic tool for communication between shaman and god. In shamanism, the concept of believing in ancient times from ancient times is still deeply rooted.