本文先后阐释了陈铨的民族主义的政治正当性,“英雄崇拜”观中的政治诉求,“文学”的民族主义与政治的民族主义之关联;并解读陈铨戏剧作品《野玫魂》及其批评现象的裂隙。本文认为,从政治到文学、从文学到政治,陈铨的民族主义理想始终如一地由时代的“大政治”寻省国家的“政治统一”及政治生存。无视陈铨民族主义的政治正当,企图把陈铨诬诋为民族的“政治敌人”,已然不是一种“政治成熟”。 This article has explained Chen Quan’s political legitimacy of nationalism, political appeal in the view of “hero worship”, the relation between “nationalism” of literature and nationalism of politics, and the interpretation of Chen Quan’s “Wild Spirit” It cracks the phenomenon of criticism. This article argues that Chen Quan’s ideal of nationalism has consistently sought the “political unity” and political survival of the country by “big politics” of the times, from politics to literature and from literature to politics. Ignoring Chen Quan’s nationalist political legitimacy, the attempt to slander Chen Quan as a “political enemy” of the nation is no longer “political maturity.”