有个同行曾在我跟前声称:“写戏,应该当成‘玩彩票’,获奖权作意外中彩,落选也极为坦然……” 我默然。 达观地看待评奖当然无可非议,可问题在于——写戏怎么会成了“玩彩票”?说真的,我写戏实在无法达到这种达观轻松的境界!(尽管我对此“达观轻松”尚有所怀疑,因为不能不想起跑马场博彩者那一双双瞪大了的眼睛。) 写戏,总得有话想说才对劲吧?它靠的是感情——容不 One of my colleagues claimed before me: “Writing should be regarded as ’playing lottery tickets’. Of course, it’s beyond reproach to see the awards. But the question is: how did the writing become a ”lottery ticket?" Really, I can not really achieve this kind of ease-reading realism! Have doubts, because I can not help but think of the double eyes of the racecourse gamblers.) Writing, there are always things to say just right? It depends on the feelings - not