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随着现代主义运动由盛而衰,建筑学中源于手工艺及机器大工业的“建造”概念被重新审视,而逐渐被“制造”所取代,“制造”与“建造”相比,其含义更复杂、多元,即不仅指向物质现实的实体塑造,还包括了意识形态的概念策划、设计策略、文本阐述等等。在这一理论框架下简介鲁本·A·阿尔克莱、罗密·赫奇·马钱特、雨果·P·萨格雷多、罗德里戈·佩雷斯·德·阿尔塞几位学者与此观念相关的研究成果。《新建筑》杂志将其所撰写的研究论文辑录为本期专栏,以期引起读者关注,并进一步对当代建筑及建筑设计的本质与意义进行批判性思考。
With the decline of the Modernist Movement, the concept of “construction” in architecture, which originated in handicrafts and machinery industry, was revisited and gradually replaced by “manufacturing”, “manufacturing” and “ Compared with ”construction", its meaning is more complicated and pluralistic, that is, it not only points to the physical formation of material reality, but also includes conceptual planning of ideology, design strategy, textual elaboration and so on. Under this theoretical framework, several scholars, such as Ruben A. Arquel, Romy Hitch Marcat, Hugo P. Sagredo and Rodrigo Perez de Arce Research findings related to this concept. New Construction edits its research paper into this issue’s column in order to draw readers’ attention and further critique the nature and significance of contemporary architecture and architectural design.