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文章主要以莫扎特为小提琴、中提琴和乐队而写的《降E大调交响协奏曲》K.364的创作情况和所涉及的中提琴独奏声部为主要出发点,从作品音乐风格特征与演奏技术相结合的角度分析和探讨作为演奏者应解决的多种问题。
The article mainly focuses on the creation of K.364 “Symphonic Concerto in the Lower E Major” and the part of the Viola Solo Part written by Mozart for violin, viola and orchestra as the starting point. From the combination of musical style and performance technique Analyze and discuss various issues that should be solved as performers.