仲呈祥(中国电视艺术委员会副主任): 我认为这部电视剧应该引起我们充分的重视,给予它足够的评价。这一年农村题材的戏出了不少,有《华西村的故事》有《一村之长》,有《古船·女人和网》,还有《黑槐树》等等,好戏不少。《双桥故事》放射出它自己一些独特的光彩,应该引起我们注意。这里,我先想简单地回顾一下。《古船·女人和网》,这无疑是一部很好的作品,它作为反映当代农村变革的三部曲,作家本来的主观意愿是很值得鼓励的,但是到了第三部,令人遗憾的是他却倒回去了。这个倒回去是生活使然呢?还是艺术家主观的一种意念使然呢?是值得研究的问题。我感到作者在把握这个历史生活的时候,是不是离开了我们当代中国农村两个最重要的历史事件:一个是家庭联产承包责任制,作者把它作 Zhong Chengxiang (Deputy Director of China Television Arts Committee): I think this drama should draw our full attention and give it enough comment. There were quite a lot of rural themes this year, including “Story of Huaxi Village”, “Length of a Village”, “Ancient Ship · Woman and Net”, “Black Locust Tree”, etc. less. “Double Story” emits some of its own unique luster, it should draw our attention. Here, I first want to briefly review. This book is undoubtedly a very good work. As a trilogy reflecting the changes in contemporary rural areas, the writer’s original subjective wishes are very encouraging. However, it is regrettable that we have reached the third part He is back down. Is it a matter of study whether this is the way to go back to life or the subjective idea of ​​an artist? I feel that when the author took this historical life, he left our two most important historical events in rural China today: one is the household contract responsibility system, which the author uses as its