玻璃屋顶覆盖的维斯康蒂院落是一种19世纪在法国受到普遍认可的空间概念,直到现在,这种院落依然拒绝任何附加建筑物,而是直接面对天空。通过空间改变院落,需要处于黑暗之中的建筑外观给予不可逆的光亮。将伊斯兰艺术品分别放置在不同的楼层,虽会为博物馆带来不便,但有利于打破它的叙事性身份。在院落中创造夹层会为空间增添商场文化氛围而不像身处历史博物馆的空间中。这座“失落”的庭院中陈列的东方珍宝,见证了法式的史诗风格,在 The glass-roofed Wisconsin compound, a space concept universally accepted in the 19th century in France, still denies any additional structures until now, but directly faces the sky. By changing the courtyard in space, the appearance of the building in need of darkness is given an irreversible light. Placing Islamic artefacts on separate floors, although inconvenient for museums, can help to break its narrative identity. Creating a mezzanine in the courtyard adds space to the mall’s culture rather than being in the space of a historical museum. The oriental treasures on display in this “lost” courtyard witness the French epic style