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百年来的中国文坛有三种文艺传统影响深远,即通俗文艺传统、“五四”新文艺传统和革命文艺传统,中国现当代作家总是会受到其中的一种或两种传统的影响,而陆文夫同时接受了三种文艺传统的共同影响,这是他作为文学史个案的经典意义和价值所在。从50年代的《小巷深处》,到“新时期”以来的《美食家》和《人之窝》,三种文艺传统的具体影响是微妙、复杂、变化多端的,陆文夫由此创造出独树一帜的文学景观和艺术世界,他的作品既有由不同的文艺传统带来的多元魅力,又有由此而生的遗憾与不足。陆文夫现象对认识三种文艺传统在历史中的深层关系、中国现当代文学的一些内在的整体性问题是极具启发性的。
In the past 100 years, there are three literary traditions far-reaching in China’s literary tradition, namely, the traditional literary tradition, the new literary tradition and the revolutionary literary tradition in the May Fourth Movement. Chinese contemporary writers are always influenced by one or two of these traditions, And Lu Wenfu also accepted the common influence of the three literary traditions, which is his classic meaning and value as a case of literary history. From the “alleyways” in the 1950s to the “gourmet” and the “nest of people” since the “new period”, the specific influences of the three literary traditions are subtle, complicated and varied. Therefore, Lu Wenfu To create a unique literary landscape and the art world, his works both by the different cultural traditions brought about by the multiple charm, but also the resulting regret and inadequate. The Phenomenon of Lu Wenfu It is very enlightening to understand the profound relationship between the three literary traditions in history and some of the inherent integral issues in Chinese modern and contemporary literature.