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旧家池名。寻芳庭,纵有飞燕频绕。一湾柳护水房春,看镜莺窥晓。轻蝉噪,彩蛾淡扫。一曲清波渔舟小。捕舍残灯里,等明朝,丝网穿白,丰收又到。这是一盆生活感悟性作品,更是江南地域文化的写照,生活于诗话中的江南,随手可得的也就是江柳林烟。然自然的反映,真实的写照,感性的流露,柔水的人性化体现却是一个新的盆景创作课题。好在砚式盆景的特定形式本身就赋予了她享有一种特定的空间感。金钱松原本就是雾霭迷云的象征,以此作为情景主体,且三二成组,四五错落,不经意的组合,体现出刻意的追求,故意的疏密聚散,演释出随意的自然。为了营造野逸的氛围,苔坡幽延,轻绿散漫;残岩秃石,渔舍薄栈;一湾清溪潺潺,一曲心音悠悠,于意境上切明四家仇瑛《江头存水绿湾湾》意,正好是水影花光的江南写真。(第五届全国盆景评比展金奖)
Old home pool name. Looking Fangfang, flying swallow around there. A bay willow water house spring, see the mirror warbler. Light cicada noise, color moths light sweep. A small wave fishing boat. Remains litter, and other Ming Dynasty, white silk screen, harvest again. This is a pot of life perception of works, but also a portrayal of regional culture in Jiangnan, living in the poem of the Jiangnan, readily available is Jiangliuyan. However, the natural reflection, true portrayal, sensual disclosure, soft water, the embodiment of humanity is a new topic of bonsai creation. Fortunately, the particular form of Yan-style bonsai itself gives her a sense of space. Money Song was originally a symbol of fog clouds, as the main body of the scene, and the group of two or three, four or five scattered, inadvertently combined to reflect the deliberate pursuit of deliberately dense random, evolved out of random nature. In order to create the atmosphere of Yeh Yat, Moss slope, light green; Manchu rock bald, fishing stacks; a bay stream gurgling, a long heart sound, in the mood to identify four Chiu Ying “Jiangtou water green Wan Wan ”meaning, it is a pretty portrait of Jiangnan. (The fifth national bonsai appraisal show gold medal)