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在二十世纪中国文学文体的研究中,散文的研究一直较为落后,甚至一度处于边缘的位置。散文研究的落后有各种原因。比如散文一方面门槛较低,一方面文体又太宽泛且没有边界,难以把握与规范,于是有的人对其不屑一顾;有的人则因难寻理论的切入点和支撑点而掉头而去。再比如,二十世纪以来的小说、诗歌乃至电影戏剧都产生了翻天覆地的革命:各种思潮流派更迭,各种理论、艺术表现手法风起云涌,而在散文这里,却波澜不兴,既缺
In the study of Chinese literary style in twentieth century, the research of prose has been relatively backward, even once at the marginal position. There are various reasons for the backwardness of prose studies. For example, on the one hand, prose has low threshold, on the other hand, style is too broad and there is no border, it is difficult to grasp and regulate, so some people disdain for it; some people find it difficult to find the starting point for the theory and support go with. As another example, since the twentieth century fiction, poetry and even film and television drama have produced a earthshaking revolution: the trend of various schools of thought change, all kinds of theories, artistic expression surging, but in the prose here, but the tide,