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近年来,“音乐演释”逐渐受到音乐学界的重视。1997年,在俞人豪的《音乐学概论》中已使用“音乐演释”一词~([1])。进入21世纪,“演释”一词频频出现于各种音乐文论中,甚至是书名上,如《贝多芬钢琴作品的正确演释》《音乐风格的演释指南》。杨燕迪认为:“音乐演释作为一门独立的艺术,确实受到越来越多的注意和尊重。”~([2])而且德国哲学家迦达默尔提出:“所有的表演艺术都是一种解释。”在过去的音乐表演理论研究中,在某种程度上存在要么只重视演唱、
In recent years, “musical interpretation ” gradually by music scholars attention. In 1997, Yu Renhao’s “Introduction to Musicology” has used the term “musical interpretation” ~ ([1]). In the 21st century, the term “interpretation” frequently appears in various musical literary theories and even in the title of books, such as “The Beethoven Piano Works Correctly Explained” and “The Guide to the Evolution of Musical Styles”. Yang Yangdi thinks: “Music interpretation as an independent art does receive more and more attention and respect.” ~ ([2]) And the German philosopher Gadamer said: “All the performing arts Is an explanation. ”" In the past, the theory of music performance studies, to a certain extent, there is either emphasis on singing,