莫言是八十年代大陆新潮文学中极具个性的作家。他几乎是出于一种本能地被儿童视角所诱惑,使得其小说存在着明显的感觉崇拜倾向。在莫言笔下,感觉不仅是其小说描绘的内容,而且也是作者完成叙事的手段。他崇拜感觉有着深刻的意识形态目的,就是要借感觉的相通来完成对历史断裂的弥补。 Mo Yan is a highly individual writer in Mainland trendy literature of the 1980s. Almost seduced by a child’s instinct, he has tended to have a distinct feeling of worship in his novels. In Mo Yan’s pen, the feeling is not only the content of his novels, but also the author’s means of completing the narrative. He has a profound ideological purpose of worship and feeling, that is, he wants to make up for the historical break through the connection of sensations.