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自唐代朱景玄于《唐朝名画录》中将逸品与神、妙、能三品并置。后经黄休复在《圣朝名画评》中提到首位以后,逸品一格受到了文人画家的极力推祟。虽然在宋徽宗时期的皇家画院。由于强调法度规矩,崇尚精细体物,不免排斥抒情畅神之作,复将逸品降至神品之下,然由于逸品所体现的艺术追求与文人士大夫的审美情趣、人格理想相吻合,因而无论是逸品画还是逸品画家,在中国古代绘画史上都曾有过崇高的地位。本文试图以绘画史上对逸品的阐述为基础,联系逸品画的创作与欣赏,对它的艺术特征进行一番分析研究。
Since the Tang Dynasty Zhu Jingxuan in the “Tang Dynasty Famous Paintings” will be a good product and God, wonderful, to three products juxtaposed. After Huang Hufu in the “Holy Dynasty Painting Award” mentioned in the first place, a product of a genius by the literati painstakingly pushed. Although in the Huizong period royal painting. Due to the emphasis on the rules of law, advocating fine body, can not help but exclude the lyrical works of God, Complex Essence down to the gods, however, due to the art of Essence embodied in the pursuit and literati doctor’s aesthetic taste, personality ideal coincide, Is a painting or a good artist, in the history of ancient Chinese painting had had a lofty position. This article tries to make an analysis of the artistic features of YiPing’s paintings based on the elaboration of YiPao in the history of painting.