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1982年作为连续剧集体发力的一年,形成了以《武松》、《蹉跎岁月》、《赤橙黄绿青蓝紫》等为代表的范式文本(序列),也拉开了“四大名著改编连续剧”的序幕,树立了全新的参照坐标。而随着单本剧的式微,电视连续剧创作进入繁荣期,并逐步明确了连续性叙事作为电视剧最根本的本体美学特征,形成始终保持现实主义美学精神的主类型剧(序列)。特别是《渴望》在转折年份的出现与成功,标志着中国自1982年始,80年代中后期初成,经历了近十年创作实践和理论探索的连续剧美学风格最终确立。
In 1982, as a collective force of drama series, a series of paradigmatic texts (sequences) represented by “Wu Song”, “Ancestor” and “Red Orange, Green, Blue and Purple” were formed. Adapted drama series “prologue, set a brand new reference coordinates. With the decline of the single drama, the creation of the TV series has entered a period of prosperity, and the continuous narrative gradually ascertains the most basic ontological aesthetics characteristic of the TV series and forms the main type of drama (sequence) that always maintains the realistic aesthetic spirit. In particular, the emergence and success of ”Longing" in the turning-point year marks the ultimate establishment of China’s aesthetic style of serials, which has undergone nearly 10 years of creative practice and theoretical exploration since the beginning of 1982 and the mid-to-late 1980s.