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理论上研究艺术的节奏表为抽象,通常艺术中的节奏是由观者通过直觉、想象等来体验到所谓的情感变化。一部优秀影片的艺术感染力往往取决于节奏感,它由剧情时空、视角结构、镜头运动、蒙太奇、音乐音响、演员表演、光影节奏等元素的综合运作来展现。起源于20世纪的蒙太奇手法,把镜头按照生活逻辑、推理顺序、导演观点倾向以及美学原则联结起来,从而形成影片抑扬顿挫的节奏感。将导演赋予影片的思想情感诉诸于观众视觉和听觉,并从情感上影响观众的某种力量。本篇文章通过观众心理学和行为学研究后现代文化背景下蒙太奇手法对当代电影节奏的影响。
Theoretically speaking, the rhythm list of art is abstract. Usually, the rhythm in art is the experience of so-called emotional changes by the viewer through intuition and imagination. The artistic appeal of an excellent movie often depends on the sense of rhythm, which is manifested by the comprehensive operation of such elements as story space and time, perspective structure, lens movement, montage, music sound, performers and light and shadow rhythms. Montage originated in the twentieth century, the lens in accordance with the logic of life, reasoning order, the director’s point of view and aesthetic principles linked to form a cadence rhythm of the film. Appeals to the audience’s visual and audiovisual feelings and emotions that the director confers on the film, and emotionally affects some sort of power of the audience. This article studies the influence of montage on the rhythm of contemporary cinema under the background of postmodern culture through audience psychology and behavior.