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以镜子为道具表现人物感情变化、刻画人物性格的电影有几部,但我最欣赏的是自沉导演的《大桥下面》里秦楠的照镜子。由于导演的精心设计和演员的传神表演,使这个细节含蓄而引人思考,真实而令人信服。简简单单的一个动作内涵却相当丰富,普普通通的一面镜子却产生着奇妙的艺术效果。有位著名导演曾说过:“道具会说话”。秦楠手中的那面镜子就在“说话”。你看吧,只她用手抹去镜上的灰尘这个动作就有着千言万语,给人以丰富的联想。镜子上的积尘象征着她的过去和说明着她因心事而长期不照镜子了。如果说少言寡欢表现了秦楠心灵上有着创伤的话,一个青年女子长期不照镜子不是更含蓄、更深刻地反映着她过去的不幸和经历的坎坷吗?抹去镜上灰尘这个动作,还象征着她已向昨天告别,开始了新的生活;从镜中映出她那喜悦而有神采的
There are several films that use the mirror as the props to show the changes in the feelings of the characters and characterize the characters. However, what I enjoy most is the mirror of Qin Nan underneath the Bridge under the director Shen himself. Due to the director’s meticulous design and the actor’s expressive performance, make this detail subtle and thought-provoking, true and convincing. The simple connotation of an action is quite rich, ordinary mirror has a wonderful artistic effect. A famous director once said: “props can speak.” Qin Nan hands mirror that in the “talking.” You see, only her hand to remove dust on the mirror this action has a thousand words, giving a rich association. Dust on the mirror symbolizes her past and shows that she is not looking in the mirror for a long time. If there is traumatic words on Qin Nan’s heart, if a young woman does not look in the mirror for a long time, it is not more subtle and more profoundly reflects the ups and downs of her past experience. Erase the mirror dust action A symbol of her bid farewell to yesterday, started a new life; reflected from the mirror her joy and demeanor