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最初,实验艺术的产生在美术界具有很强的先锋性和探索性,由此也高调地标明了其不同于学院艺术的“独特气质”。然而,从艺术发展的规律来看,实验艺术不应当被简单地理解为“学院派”艺术的对立面而存在并延展下去,是否具有鲜明独立的艺术追求和不断创新的自觉意识,才是实验艺术存在的真正意义。尤其是近些年来,我国各大美术高校及综合性大学相继开设了实验艺术系(专业),当实验艺术作为一种具有教学目标和具体课程的美术专业跻身于学院生态时,它的确与此前的“实验艺术”发生了不少变化,这种变化就成为我们审视艺术创造潜能和未来美术发展的切入点。本
Initially, the emergence of experimental art in the art world has a strong avant-garde and exploratory, which is also high-profile marked its different from the college art “unique temperament ”. However, from the law of art development, art of experimentation should not be simply understood and extended as the antithesis of the art of “academy”. Whether it has distinctive and independent artistic pursuit and consciousness of continuous innovation is just The real meaning of experimental art exists. Especially in recent years, major art universities and comprehensive universities in our country have successively opened experimental art departments (majors). When art as a kind of art major with teaching objectives and specific courses is one of the college’s ecologies, There has been a lot of change in the “experimental art”, and this change has become an entry point for us to examine the potential of art creation and the future development of art. this