DV原本是一种视频记录格式,由于被用于民间,逐渐超越了其技术性范畴而具有了意识形态意味,如“通过接近真实地记录人生的一种生存状态,改变了以往影像制作权只掌握在少数电影电视从业人员手中的局面①,因而具有了”革命性的一面“。甚至有人断言传播意义上的DV概念将会消亡,②从而指出其历史性终结。通常认为DV包括了设备、作品、文化和创作四个层面的意思。与其在概念上 Originally a video recording format, DV has had an ideological implication by being used in the private sector and gradually surpassing its technical scope, such as ”changing the state of the art of image making by recording real life close to the real Mastered in the hands of a small number of film and television workers ①, and thus has a “revolutionary side.” Some even assert that the concept of DV in the dissemination of information will die out, and thus indicate the historic end of the DV is usually considered to include Equipment, works, culture and creation of four levels of meaning. Rather than its concept