西方艺术家毕加索曾赞扬过以中国画为代表的东方艺术,并在自己的实践中打破写实和焦点透视的局限,将人物的眼睛、鼻孔或者说将三维、四维空间呈现在二维的画面上,画出了变形而新奇的画面;法国19世纪后期印象派的代表画家莫奈在看到日本浮世绘后,开始尝试东方人惯用的单线平涂和富有装饰意味的色彩作画……这些西方的艺术家都能从东方艺术中吸取到新的养料,并且化为己用。作 Western artist Picasso once praised the oriental art represented by Chinese painting and broke the limitation of realism and focus perspective in his own practice, presenting the characters’ eyes, nostrils or three-dimensional and four-dimensional space on the two-dimensional picture Out of the deformation and novel images; French 19th century impressionist representative painter Monet saw Ukiyo-e in Japan, began to try the usual oriental single-line flat painted and decorated with rich colors of painting ... ... these Western artists can Learn from the Oriental art of new nutrients, and into their own use. Make