中西比较诗学本身已经成为一个可供研究的文化现象。在中国批评家的研究中始终存在一个不在场的强势他者,这使得他们的研究实际上成为一种他者不在场的理论表演。在某种意义上,中国批评家往往处于一种荒诞的处境。因此,有必要超越中西二元相对的格局,寻找中西比较诗学的新的研究方法。 Comparative poetics between China and the West has become a cultural phenomenon that can be studied. There is always an absent others in the study of Chinese critics, making their research actually a theoretical performance in the absence of others. In a sense, Chinese critics are often in an absurd situation. Therefore, it is necessary to go beyond the relative pattern of dualism between China and the West and find a new approach to the study of Chinese and Western comparative poetics.