被纳入《中国艺术教育大系·音乐卷》第一批出版教程的《视唱练耳教程》(上、下)(上海音乐出版社2001年9月第一版),是我把在几十年教学中多次使用过的教材整理编辑而成的。书中第一篇文章《有关音准的教学法建议》可以算作我的序言。实际上它是这套教程的核心,全书都是围绕着这 “Singing and practicing ear tutorials” (upper and lower) (Shanghai Music Publishing House, first edition, September 2001), which was included in the first batch of publishing tutorials of “Chinese Arts Education Major Music Volume” Years of teaching materials used repeatedly edited and compiled. The first article in the book, “A Methodology Approach to Tone Pitch,” counts as my preface. In fact it is the core of this tutorial, the book is centered around this