鲁迅为《生死场》所做的序言和胡风的读后记里,均将这部作品定格在“民族寓言”的位置。小说写作之时,正逢日本侵占中国东北,强烈的爱国情绪激荡在作家心中,自然也渗透到文本写作之中。试从民族主义的基本叙事立场、底层群众民族主义意识的逐步觉醒以及女性与民族主义的纠缠与迷茫三个方面对《生死场》做进一步的探析。一、《生死场》中民族主义的基本叙事立场民族主义是我国经历现代性的重要内容之一,然而,我们是在西方列强的冲击下,被动卷入现代 The preface made by Lu Xun for the “Life and Death Field” and the reading postscript of Hu Feng both set this work at the position of “national allegory”. At the time of writing, coincides with Japan's invasion of northeast China, intense patriotic sentiment stirred up in the minds of writers and naturally infiltrated text writing. Try to further probe into the “field of life and death” in three aspects: the basic narrative stand of nationalism, the gradual awakening of the awareness of the underlying mass nationalism and the entanglement and confusion of women and nationalism. I. The Basic Narrative Standpoint of Nationalism in the Field of Life and Death Nationalism is one of the important parts of our country's experience of modernity. However, under the impact of Western powers, we are actively involved in the modern