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本文着眼于探讨构成叙述复杂性的各成分在电视剧《罪案终结》中如何发挥其功能。《罪案终结》是美国TNT电视台在2005—2012年期间播放的侦探系列剧,情节围绕女主人公展开,主要涉及其工作和个人生活。该剧的相关人物和情节阐明了周播剧中次要情节的建构如何塑造了女主角的领导形象,以及她与家人、朋友和同事的互动。《罪案终结》中的美学和意识形态通过女性气质与男性气质的强烈对比,重构了侦探剧的体裁惯例和颠覆了传统侦探剧中刻板的性别形象。作为调查员和管理者,女主角在办事效率方面既有弱点也有长处,该系列剧重新设定了性属符码,让女主角拥有女性化的外表却具有男性的工作风格。
This article looks at how each of the components that make up the complexity of narratives can function in the drama End of Crime. “Crime Termination” is a series of detective plays by TNT in the United States from 2005 to 2012. The episode revolves around the heroine, mainly concerning his work and personal life. Relevant characters and episodes of the play shed light on how the construction of minor episodes in the weekly drama has shaped the leading role of the heroine and her interactions with family, friends and colleagues. The aesthetics and ideology in “The End of Crime” reconstructs the genre practice of detective drama and subverts the stereotyped gender image in traditional detective drama through the strong contrast between femininity and masculinity. As an investigator and manager, the actress has both strengths and weaknesses in the efficiency of its work. The series re-sets the sex code so that the heroine has a feminine appearance but a masculine style of work.