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2005年仲夏,在吉林省松原市松水北岸的艺术剧院里,伴随着观众的掌声和领导专家赞叹声,大型满族新城戏《皇天后土》落下了帷幕。接着,在市区、在农村、在工厂,《皇天后土》连续上演了三十多场,场场爆满,地方报纸也接二连三地发表讨论文章,说这是一部思想性、艺术性和观赏性高度统一的优秀作品,既弘扬了时代主旋律又为百姓喜闻乐见,是一部近年来不多见的好戏。的确,无论是一度创作中的主题立意、人物、情节、细节,还是二度创作的舞台呈现,《皇天后土》都有许多可圈可点之处。
In midsummer of 2005, with the applause of the audience and the applause of leading experts in the art theater on the north shore of Songshui City, Songyuan City, Jilin Province, the curtain of Emperor Man behind the Earth in the large-scale Manchu New City drama came to an end. Then, in the urban area, in the rural areas and in the factories, there were over 30 consecutive performances in the “Empire of the Heavenly Emptiness.” The local newspapers published a series of discussion articles one after another, saying that this was a ideological, artistic and ornamental height Uniform outstanding works, both to promote the theme of the times and loved by the people, is a rare good show in recent years. Indeed, there are many remarkable points behind the “Empire of Heaven”, whether it is the theme conception, the figures, the plot, the details, or the stage creation of the second creation.