如果从1953年发表处女作算起,崔振宽从艺已经62年。这62年的历程大体可以分为三个阶段:青年美术干部阶段,问道长安画派阶段,以焦墨切入黄宾虹课题阶段。有了第三阶段,崔振宽艺术才真正取得了自己的独立地位。所谓黄宾虹课题,简言之,就是延续有着千余年历史的中国文人山水画之“正传”(董其昌),遵从其内部规则和自身发展逻辑,探寻现代转化的可能性。黄宾虹以他的“集其大成”出色地完成了 If published from the debut in 1953, Cui Zhenkang art from 62 years. The 62-year history can be roughly divided into three stages: youth art cadres stage, asked the stage Chang’an School of painting, with Mexican ink cut into the stage of the subject of Huang Binhong. With the third stage, Cui Zhenkang art truly achieved its own independent status. The so-called Huang Binhong issue is, in short, a continuation of the “orthodoxy” (Dong Qichang) of Chinese literati’s landscape paintings, which has a history of more than a thousand years, and follows its internal rules and its own development logic to explore the possibility of modern transformation. Huang Binhong with his “set its Dacheng ” done well