美术史上,画钟馗的画家不计其数,自唐代的吴道子首创“钟馗样”后,直至现代的一些画家也是对这题材情有独钟。从历史角度和社会心理的角度出发,究其原因,“钟馗画的社会功能和审美功能的泛化,以及钟馗画符号体系的进一步确立,是钟馗画经久不衰的重要原因。”本文选取对此题材特别钟爱的宋末元初遗民画家龚开及其传世作品《中山出行图》做进一步的研究探讨。 In the history of art, there are countless painters who painted Zhong Kui. Since Wu Daozi first made his debut in the Tang Dynasty, some painters up till now have also enjoyed a fond fare of this subject. From a historical point of view and from a social psychological point of view, the reason for this is that “the generalization of Zhong Kui’s painting of the social and aesthetic functions and the further establishment of Zhong Kui’s painting of the symbolic system are important reasons for Zhong Kuang’s painting to endure.” In this article, we choose Gong Kai, a painter at the end of the Song dynasty, who is particularly fond of this subject, and his works entitled “Zhongshan Travel Map” for further research.