泉州傀儡戏,古称“悬丝傀儡”,又名“线戏”,俗称“嘉礼戏”,今名“提线木偶戏”,是我国最古老的木偶剧种。在漫长的剧种艺术发展过程中,不但形成了精湛丰富的表演艺术和精美独特的造型艺术,还形成了别具一格的剧种音乐——“傀儡调”。“傀儡调”音乐既有丰富多彩的曲牌唱腔,又拥有“傀儡调”(又名“压脚鼓”,或称“南鼓”)、“钲锣”等古老稀有的打击乐,及与之相应的一整套打击技法。古老的“傀儡调”音乐及打击乐,对本地区的其他剧种,如“布袋戏”、“打城戏”、“高甲戏”甚至“梨园戏”的音乐,都曾产生过深远的影响。因此,探讨泉州傀儡戏“压脚鼓”及其他打击乐器的演奏技法,对了解泉州地方戏曲音乐,确是不可忽视的重要一环。 Quanzhou puppet show, ancient name “hanging wire puppet”, also known as “line play”, commonly known as “Kerry ceremony”, now named “marionette”, is China’s oldest puppetry. In the long process of the dramatic art development, not only has it formed a superb variety of performing arts and unique and unique style art, but also formed a unique opera music - “puppet tune.” “Puppet tune” music has both a variety of tunes and a variety of songs, but also has the “puppet tune” (aka “foot drum”, or “South drum”), “gongs” and other ancient and rare percussion, The corresponding set of combat techniques. Ancient “puppet tune” music and percussion have had far-reaching effects on the other genres in the region such as “bagpian”, “taiwan”, “tall armor” and even “pear orchard”. Therefore, to explore Quanzhou puppet theater “foot drum” and other percussion instruments playing skills, Quanzhou local opera music is indeed an important part can not be ignored.